Archive for the ‘Travel blog’ Category

A country that has intrigued me for years but one I have had no reason to visit in any official capacity – Bhutan. Suddenly the stars aligned, and Sandhya and I set off to visit Bhutan in the last week of April; 26th, to be precise. As first-time visitors, we planned a leisurely itinerary and limited our trip to the oft-visited touristy districts of Thimphu, Punakha and Paro. 

The first visual that comes up when one thinks of Bhutan is the Tiger’s Nest monastery and indeed Bhutan is all about monasteries and the wonderful natural beauty of the Himalayan countryside. As Sonam (our guide) mentioned on the first day itself, if you are looking for nice cities and modern amenities, Bhutan is not for you; nor will you find art galleries and such or locations with deep historical significance (except monasteries). Yet, the overall charm that Bhutan weaves over you is just exquisite. 

It is indeed well known that Bhutan accords greater priority to quality of life than mere economic progress and so they track Gross National Happiness as their Key Performance Indicator than GDP, as almost all other countries do. I was curious, and a wee bit skeptical, on the applicability of this concept on the ground. Just a few days there, even as a tourist, helped me understand what a difference it has made for the country just because they kept GNH as their most important focus from the 1970s. This is not to say that Bhutan has not seen its fair share of repression, human rights violation and ethnic cleansing and that too, as close as the nineties. The Lhotshampa people who constituted between 25-35% of the population had been uprooted and most of them expelled from Bhutan as part of the ethnic cleaning in the nineties. Bhutan is a monarchy still even though they have been transitioning slowly to a democracy with a Parliament and a Constitution. The King is the most powerful political figure even now and is the final authority in matters like national security. The day-to-day administration is handled by the Parliament, and I understood that the King could be impeached with a two-thirds majority in the Parliament. The King seems to be very well respected, and you can see his photographs everywhere; the next most visible person being the Jé Khenpo (Chief Abbot), the highest religious post in Bhutan. I was a bit cautious in my discussions with Sonam on Royalty and politics, especially as he seemed very loyal to the King, and I need to mention the caveat that we didn’t go into Southern Bhutan (where the Lhotshampa issue happened) or have exchanges with many local people. Yet, overall, people looked happy and content.

This could be because of their significant to commitment to Buddhism (people are very religious) and also because the government follows policies to ensure that everyone gets a chance to come up. For instance, free education and health are provided by the government and that too at all levels (not just schools). Sonam said there is not a single beggar (and we didn’t see any) in Bhutan and that if someone doesn’t have land or a house or children to look after them, the King will provide for them. Wherever we went, people looked quite happy and friendly. They were courteous and happy to pose for photos and all, the only hurdle being that of language as elderly people didn’t seem to know English. Another indicator of being content and patient was seen on the roads where people drive with consideration for others and there was almost no honking or disrespectful behaviour and this even though the roads are twisting and turning all the time because of the terrain. We didn’t see many bikes around even in the city and Sonam said most people have cars. Of course, it is not overcrowded like Kerala or most of the Indian cities as there are just seven hundred thousand people in Bhutan, which has an area of about 38,000 square kilometres.

If there is any significant wealth inequality in Bhutan, it isn’t evident. Sonam said that there are not many people in Bhutan who are very rich and nor are there who are very poor; most people are in the average bucket, he said. By the look of the towns we visited, it looked to be true. The whole country is very clean and well maintained but you do not see many swanky buildings around. Restaurants are all kind of in the mid-range and you don’t see very expensive ones and even the five stars (food, not accommodation) weren’t expensive as compared to India. Similarly, the cars are mostly Maruti or Kia or Honda or the odd Toyota and I probably saw only one BMW and one Mercedes during the entire trip and those two were both Government owned cars. Going from India where inequality is so evident and in your face, this is a wonderful change and the awareness, that no one is deprived, itself lifts you up. In addition, the Bhutanese are quite connected with nature, and they are quite tuned into environment protection. Bhutan is a carbon negative country, and it seems their Constitution stipulates that sixty percent of the land area of the country must be under forest cover all the time – the current cover being 71%. To me, this kind of summed up why the Bhutanese are happy, and I attribute that to the policies of their King and the Government and to how the people practice their religion. The operative word being “practice” as I have seen other Buddhist countries that are totally strife torn and nothing like Bhutan.

Bhutan’s policy is to make tourists spend money and not on increasing the number of tourists. Hence, the 50-minute flight from Calcutta to Paro costs 4-5 times the amount you spend for a similar flight between two Indian cities. Of course, there are only two airlines that are allowed to fly into Bhutan – one owned by Bhutanese government and the other by a Bhutanese businessman.  Every visitor to Bhutan must be accompanied by a guide and they must hire their own transport. I felt these restrictions have been devised to generate local employment. Further, every Indian tourist must pay a tax of Rs. 1,200/- per day and this goes up steeply to USD 200 for people from other nationalities. Same is the story with hotels where Indians get a preferential rate (which itself is much higher than what you spend in India for similar class hotels) as compared to other nationalities. 

We landed in Bhutan on a bright sunny day after a short flight from Calcutta. We were greeted in traditional style by our guide and the driver by draping the “khadar’ on us. It is a long piece of white cloth made of silk measuring about 6 ft by 1 ft. This seemed to be a very touristy thing and we were greeted similarly in all hotels that we stayed. Paro Airport is the only international airport in Bhutan, and it is a nice and small airport and so you are out of the place in a jiffy. As per our itinerary, our plan was to go to Thimphu from the airport, a drive of about an hour and a half. Our first port of call was a coffee shop, and that building was our initiation into traditional Bhutanese architecture. Straightaway, I fell in love with the buildings in Bhutan. One of the items on offer was butter tea and I pounced on the opportunity to taste it since I have read about it many times in travelogues of Himalayan travellers. Sonam had warned that it might taste like soup, and I didn’t believe him; turned out he was right. 

Within half an hour of leaving the café, we reached Tamchog Lhakhang – a temple dedicated to the 13thcentury Tibetan saint Thangthong Gyalpo. It seems that travellers were finding it difficult to cross the river and so Thangthong Gyalpo built a bridge using hand wrought iron chain links. The iron used was very durable and the bridge survived till 1969, when it was washed away in floods. The current bridge that we see was rebuilt in 2005 using some of the old materials. Gyalpo was a blacksmith and an architect, and he built many such bridges in different places in Bhutan. The iron chain link bridge cannot be used anymore and there is a foot suspension bridge that can be used to cross the river, to go the temple located on the other side. This is a private temple, and we did not visit as Sonam said we would visit enough and more temples in the days to come!

Near the temple there is a small room with some prayer wheels. On the floor, we found a lot of cone shaped objects. Sonam told us that in their version of Buddhism, there are a lot of rituals to be conducted after death. One of those is to create 108 such small cones (he referred to them as tcha tcha) which are made by mixing the ash after cremation with clay and then these votives are placed in different locations that have positive energy – for instance, a cave overlooking a river. The number 108 is special for Buddhists as that represents the 108 negative characters in humans – such as greed, anger etc.  

It seems another practice is to make 108 white prayer flags and place these, in memory of the dead person, in a site overlooking the river, mostly in hill sides. You can see such memorial prayer flags in many different places of Bhutan. Once the flags start to tear, they are taken away.

Sonam told me that Buddhism has too many rituals to be followed after death and that it is very expensive. He was even opining that some people are becoming Christians because of this exorbitant expense! Currently 85% of the population are Buddhists, with 12% Hindus and 3% Christians, with freedom of religion being guaranteed by the King. The version of Buddhism followed in Bhutan is Vajrayana Buddhism.

By and by we reached Thimphu and after the usual welcome ceremony, we headed out for lunch. There we discovered a Bhutanese curry Emadatshi – made with chilli and cheese – which was just wonderful with red rice. Red rice is grown in the Thimphu area, and it is a bit smaller and tastier than the variety we get in Kerala. 

After lunch, we visited the Memorial Stupa in Thimphu, which is also known as Thimphu Chorten. This was built in 1974 in memory of the third King of Bhutan who passed away in 1972, and it was renovated in 2008. Most stupas contain relics of holy men but this one doesn’t, and it only has a framed photograph of the third King. The building is quite beautiful and nicely decorated.

It is located centrally within the city and so accessible to all. It seems that old people spend a lot of their time in this place, praying and prostrating before the idol.

There is a room with giant prayer wheels and another glass walled room for butter lamps. Lighting butter lamps is an important part of worship, and you can see butter lamps in most monasteries and temples and often, these cause fires resulting in extensive damage to the building itself. 

Photography is not permitted inside any temple and so we couldn’t capture any of the nice idols or paintings inside. The inside walls of temples are decorated with good many paintings depicting important incidents and people associated with the faith. The main idol and other idols take up a lot of space and is generally tall. The main idol inside this Chorten is that of Padmasambhava who brought Buddhism to Bhutan in the 8th Century. He is shown in many forms and good many are the ‘wrathful’ forms that he took on, to fight evil spirits. It is interesting that each male idol has a female figurine sitting on its lap, in what is almost a position of coitus. Sonam explained that the male is not complete without the female and that is why they are always shown as a pair. 

Next was a visit to the Buddha Dordenma statue, said to be the largest Buddha in a sitting posture, located on a hill that overlooks the Southern approach to Thimphu. This statue is made in bronze and inside it there are 100,000 smaller statues that are 8-inch tall and another 25,000 that are 12-inch tall. The statue was made in China and the whole project that started in 2006 and finished in 2015 and is said to have costed about USD 100 million. The statue towers over Thimphu and you can see it even from the road to Punakha. 

On the top of the hill the structure stands tall and, on the courtyard, there are statues of many Taras (angels). The views from the courtyard are quite nice and on a clear day, it is simply breathtaking. 

With that we ended sightseeing for the day and came back to the hotel. Since our hotel was centrally located in the city, we ventured out a bit later to see the town. Thimphu is a very quiet place with hardly any sound of traffic as the number of cars are quite low to start with and Bhutanese obviously do not labour under the misapprehension that the horn is some sort of a communication device and entertainment piece all rolled into one, as Indians do. There are no traffic lights in Thimphu (and so the whole country) and there was only one traffic island with a policeman whose gestures were more like that of a dancer. There is a central square called the Clock Tower Square which is very beautiful and there are some cafes which are ideal locations to drink a leisurely coffee and watch life go by. 

Next day started with a visit to a Takin reserve. Takin is the national animal of Bhutan and Bhutanese believe that this animal (that resembles a cross between a goat and an antelope) was created by the Divine Madman (more on him later) to convince other monks about his powers. The reserve itself is not much to write about and what I found interesting were the pine trees and that grew abundantly in the reserve. I didn’t take any photos of the Takin but did take a few of the pines!

Next, we visited a place called Simply Bhutan where they gave us a taste of the local liquor (Ara) and Bhutanese lunch. Since this was a complete tourist trap, I don’t think there was anything genuine about the whole experience there. The only thing of interest is a four-hundred-year-old window that had a nice feel to it. 

We also visited the National Institute for ZorioChusum, where they teach the thirteen traditional arts and crafts in Bhutan, Folk Heritage Museum (where a traditional house is preserved as such) and the Royal Textile Academy. There was nothing of great significance in these places. At the traditional house, I noticed that the prayer room is as big as the only other room they have in the house. When I asked Sonam, he said that every Bhutanese house has an altar and a temple kind of room in their house and if it is a two-bedroom flat, one bedroom is dedicated for this; such is the importane they accord to that room. They pray every day and on holidays, people visit monasteries and temples. In short, they are a very religious people. I was a bit surprised to note that even young people are as religious, given that they are comfortable to be in relations like living together as opposed to traditional marriage. 

Windows in Bhutan are very beautifully and intricately painted. It seems that houses have to maintain a particular exterior design as per building rules. So, everywhere you turn, you are greeted with beautiful buildings with wonderful windows. Even the roof colour is regulated with government buildings having red roof and others having blue or green colour. The courtyard inside the Royal Textile Academy is just brilliant with windows set out in blue. 

On Sonam’s advice, we skipped the Tashichho Dzong (seat of the government and King’s Palace) as he felt it was not worth the time and effort. We were also a bit tired with the not-so-interesting visits that day. Overall, Thimphu could have been finished in a day as there is nothing much to see there. However, the leisurely pace was relaxing. 

Pattadakkal and Badami have been on my list of places to visit for a long time and after the unprecedented and completely unanticipated experience of the world shutting down, I thought a road trip was in order and set out from Bangalore on the afternoon of the first day in October. After a rather long drive that involved torrential rains and me losing my way, I eventually arrived at Badami. This is a very small town with limited options for accommodation and completely centred around the attractions such as the Cave Temples, Fort, Mahakuta Temple and Banashankari Temple. 

Badami is located in Bagalkot district in Karnataka and was the capital of the Chalukya dynasty between the 6th and 8th centuries AD. It was known as Vatapi at that time and there are some inscriptions that show that King Pulakeshin-I made some fortifications on the hill nearby, in the 6th Century. Sandstone cliffs surround Badami on three sides and that is possibly why Chalukyas chose Badami as their capital and moved there from Aihole. The Chalukya empire was at its peak during the reign of King Pulakeshin-II and it extended from Kanchi (Tamil Nadu) to the banks of the Narmada river and from Orissa in the East to the West Coast. A guide told me that the classical song “Vatapi Ganaptim Bhaje” is connected with Vatapi (Badami) and an internet search (Wikipedia) confirmed that. Muthuswamy Dikshithar wrote this song and it is dedicated to the icon of Ganapati that the Pallavas brought from Vatapi after they defeated the Chalukyas in battle. Pulakeshin-II was killed in that battle.

Supposedly, the name Vatapi changed to Badami over the years because of the almond colour of the sandstone rocks that you find everywhere in Badami. Truly, these rocks are of a beautiful reddish-orange colour and stunning to behold. 

I was mostly interested in the Cave Temple and the Fort and set out early in the morning to view the Cave Temple. I knew that early in the morning, light would not be enough for any photography inside the caves but my plan was to enjoy the caves in relative peace before the crowds started coming in (especially as it was the Dussehra holidays) and come back later for photography. That proved to be a wise decision as there were very few people in the Caves at that time and the ambience was so very charming and relaxing. 

The caves have been carved out from a small hill and there are steps that lead up to the caves. There are basically four caves – the first one being dedicated to Shiva, caves two and three to Vishnu and the last one to Jain Theerthankaras. The Chalukyas were Vaishnavites but they constructed Shaiva and Jain temples as well. 

Right next to the Caves is a huge lake called Agastya Lake and this was probably the water source for the capital. The lake is named after Sage Agasthya and there is a myth that the lake was brought to Earth from the heavens by Garuda and hence the water has the power to cure illnesses and cleanse all sins. Wiki says that the lake is man-made and is from the 7th Century. The lake is used quite a lot by the citizens for their everyday life and I could see many people bathing and washing clothes. From the Caves, you get a beautiful view of the Bhoothnath Temple on the shores of the lake and the Fort on top of the hill. 

After breakfast, I set out to visit the Fort and Bhoothnath Temple. Autorickshaws ply from the Cave Temple and they take you through very narrow roads inside the village to the foot of the hill and the lake. The surrounding areas of the Cave Temple and the lake are rather dirty with pigs roaming around everywhere. However, the Archaeological Society of India is doing a good job in maintaining the monuments themselves as they are all very clean.

My first stop was at the Bhoothnath Temple. There are two, one small one close to the hill and another a bit far away at one side of the lake. In reality, these are temple complexes as there is more than one temple in any given location. However, none of these temples are used for worship now and are maintained by ASI. This means that these temples don’t have the normal eye sores that you see in temples that have active worship, such as bright, glitzy boards, steel bars and such. 

Bhoothnath Temple was quite deserted when I got there except for the guard that ASI had posted there. The temple is almost at water level and so, would definitely be flooded when water rises in the lake. There are three or four small temples in this complex and the carvings on the walls are intricate and amazing. There are some carvings done on the surrounding rocks as well. The colour of the rocks add to the beauty of the temples and with the designs used, they are just mesmerising. 

Behind the temple, the rocks rise up and there is a nice waterfall flowing down from the top. I am sure it would look majestic when there is enough water.

Next stop was the Fort. This was the abode of the Chalukyas and was built in 542 AD. It was destroyed by the Pallavas when they defeated the Chalukyas in battle. When Badami came under the rule of Tipu Sultan, he rebuilt some of the fortifications. You can walk up the hill using a paved pathway that has many steps. It is not a difficult climb at all and as I mentioned earlier, ASI has maintained it quite well. There are not many buildings left standing and the two important ones are two temples – Lower Shivalaya and Upper Shivalaya. The idol of Vatapi Ganapati was originally located in Lower Shivalaya before the Pallavas carried it away. 

Lower Shivalaya

Upper Shivalaya

Granary on top of the hill

There are some doorways along the path and it is very evident that the fort could be defended very easily by a handful of soldiers, given the structure of the pathway. The time eroded rocks on both sides add significantly to the experience. 

On the top there is a round structure that had cannons installed for defence. Given the style of the architecture, I guess this must have been constructed during the time of Tipu Sultan. At the top of the hill, very near to Upper Shivalaya, there is a Durgah that has the tomb of Sayyid Hazrat Badshah (I couldn’t find out who this person was). 

By this time, it was past noon and I headed back to the Cave Temple. After the fall of the Chalukyas, Badami came under the Deccan Sultanate and later Tipu Sultan and there are some evidences of Muslim rule, such as the Durgah mentioned above. Yet another is the charming Markaj Jumma mosque, built by Tipu Sultan, that is right next to the Cave Temple and hosts the tomb of Abdul Malik Aziz, a governor of Badami.

As is often the case with Archaeological sites in India, one will not be able to understand any detail about the caves if one doesn’t engage a guide. Sure, there are some small boards put up outside but those don’t have enough information and are often quite confusing. This is a real pity as most people do not or cannot engage a guide and so miss out many of the wonders and these sites are often so rich in history and culture. It would be great if the ASI can introduce a relatively cheap method like audio guides so that people can immerse themselves into the great experience that these amazing sites can provide. Since I knew that a guide is more or less mandatory if one were to try and get some understanding about the caves, I engaged one. Of course, these guides do also add some “interesting” bits from their side as well and I have often heard the same sight being explained in two different ways by two different guides; all the more reason for audio guides!

All the four caves have been carved out of rock and there are no joints anywhere in any of the pillars or statues. In other words, nothing has been worked upon outside and then brought here and fixed. It is assumed that each cave might have taken 12-15 years to finish. Data is available only about the third cave, which is the most ornate, as there is an inscription on one of the pillars in it. This cave took 12 years to finish, from AD 576 to 588. The first cave that was excavated was Cave-1 and then Cave-2 and so on. 

By the time I got back, there were a lot of people visiting the caves, as can be seen from the photo below, which shows the façade of the first cave. This cave is dedicated to Lord Shiva. 

Dancing Shiva statue with eighteen arms with Ganesha and Nandi shown nearby

Dwarapalaka

Harihara – Vishnu and Shiva coming together, with symbols of Shiva shown on the right side of the statue (such as Nandi) and those of Vishnu on the left side

Mahishasuramarddini

Statue of Ardhanaareeshwara with Sage Bhrigu (the skeleton like figure) and Nandi shown on the side of Shiva and a female consort on the side of Parvati. The guide told me that Bhrigu had become skeleton like after he was cursed by Parvati but that was not how I remembered the story and internet too confirmed that it was Lakshmi who cursed Bhrigu to be doomed to poverty. According to the puranas, Bhrigu had set out to find who among the three gods – Brahma, Shiva and Vishnu – was the greatest and when he arrived at Kailasa, Nandi did not let him enter as Shiva was busy making love to Parvati at that time. The enraged sage cursed Shiva that he would only be worshipped as a Lingam (phallus) along with a Yoni to depict Parvati. Perhaps, it is this story that the sculptor wanted to convey through this work. This story about Bhrigu is quite interesting and once again points to the richness of the Puranas which often did not follow any hierarchy with Sages being superior to Gods themselves, at times, while the Sages spent their lives worshipping those Gods. They provide so many such sly entry points to paths that lead to the questions on what is supposedly the main theme.

Adisesha shown with five heads in the ceiling of Cave-1

This Nandi has been brought from outside and is the only structure in the caves that has not been carved out of the rock and is free standing

Shivalinga in the sanctum sanctorum of Cave-1; however there is no worship in the temple

A climb up a small set of steps takes one to Cave-2, which is dedicated to Lord Vishnu.

Statue of Trivikrama is seen at the entrance to the cave and Vamana can be seen holding an umbrella. There is intricate work in the ceiling with a design of four swastikas joined together in a never ending pattern and also a circle with twelve fishes in it. One can only marvel at the effort and care that must have been put in, to carve these out of rock. One mistake and the piece would go bad and there was no opportunity to replace the piece as everything was carved out and nothing was joined. There is no idol in the sanctum santorum of this cave and same is the case in Cave-3 as well.

Cave-3 is also a few steps away from Cave-2 and this is the cave with the most intricate carvings and its history is fairly well documented because of the inscription mentioned earlier. 

It seems that most of the sculptures were painted in the olden times but almost all of the colour has been lost. They must have used vegetable dyes and this must be why the colours were lost over time. In cave 3, we can see some notches on the floor and the guide said this was the palette for mixing the paint but I am not too sure. Currently you can see some colour only on one small section of the ceiling in Cave-3. 

Remnants of paint on the ceiling

Trivikrama statue in Cave-3

Eight armed statue of Vishnu as dwarapalaka

There are two very large, beautiful statues at each end of the corridor as we enter the cave; that of Vishnu seated on Seshnag (Anantha) and of Prasanna Narasimha at the other end. Supposedly, the pose of Vishnu sitting down on Anantha is very unique as he is normally shown as reclining on the coils of the snake. 

Vishnu seated on the serpent Anantha

Prasanna Narasimha

The quality of the work in this cave can be seen from the fantastic designs on pillars and also from the beauty of the statues. Some of the statues are carved out like stays to the ceiling on top of the pillars and you can see hollowed out spaces as well. They had even carved out some work on the inside of the awning of this cave as well. One can only marvel at the patience and the dedication of these sculptors. Each of these caves took more than 10-12 years to complete and I wondered at what would have been the motivation of kings to support this work over such a long period; especially when you consider that average lifespan at that time must have been around 50 years or so. Maybe it was a desire to leave something for posterity to remember them by. 

Ornate designs on pillars

Work on the awning

There is also one statue that is a kind of social commentary. Here a couple is shown in an inebriated state, particularly the lady. She has had too much to drink, her dress is falling off and she is vomiting, with a dog eating the vomit. This statue has been kind of damaged a bit and so I thought the guide was making the story up till I went to Aihole and heard the very same story from another guide there and saw the same work on a pillar inside a temple; that one is much clearer and the story is quite evident. This just goes to show that women drinking alcohol was common in ancient India and it is indeed strange and comical that the self-declared custodians of Indian culture are completely scandalised if they hear of any woman having a drink in modern India. I had read somewhere that what these fellows are peddling as Indian moral values are actually Victorian values and morality and I am inclined to believe that, given their general ignorance and biased interpretation of history. 

There is also a statue which plays a trick with the angle of view. When you look at the statue from one side, it is that of a dwarf.

The same statue when viewed from an angle behind the dwarf, looks like a monkey with the earpiece of the dwarf resembling the snout of the monkey.

The last stop was Cave-4, which is kind of separate from the three caves. It seems that in olden times, a wall separated this cave from Cave-3. It is almost unfinished and there is not much by way of intricate designs here though there are some large statues.

Statue of Bahubli

Status of the twenty third Thirthankara

Idol of Mahaveera, the twenty fourth (last) Thirthankara, in the sanctum sanctorum 

I spent more than four hours at the cave, walking to and fro and gawking at all the work. The interiors of the caves were generally plain and most of the work was in the corridors. The beauty of Badami cannot be described in words, at the very least I am quite incapable of it. I was very glad of my initial visit early in the morning as it provided me an opportunity to immerse myself into the ambience without all the disturbance from large numbers of tourists that appeared after lunch. I would definitely recommend Badami and one should spend at least a day here, just to visit the Caves and the Fort. There are also other attractions like Mahakuta Temple and Banashankari Temple. I did go to Mahakuta Temple and that is quite nice too but it is no match to the wonders of the Caves. 

Moscow has been a very familiar name since childhood and one had heard about the Red Square, Kremlin etc. from a young age. In November 2019, I had an opportunity to spend a couple of days at Moscow. The fascination with the USSR and consequently Moscow, had started with some of the Soviet publicity books that I had read when I was young. Kerala, with its Communist roots, was always interested in the USSR and the stories of the October revolution, Lenin etc. were quite commonplace.

Naturally, my first port of call was the Red Square. Given the Communist history of Russia, my impression was that the origin of the name Red Square must have been connected somehow with the revolution. However, I understand this is not the case. This has been the main commercial square in Moscow since many centuries and it has been called so since 1662 or so. It separates the Kremlin (palace of the Tsars and currently of the Russian President) and the historic merchant area. This has been a very important location in Russian history and many ceremonial activities including coronation of the Tsars took place in the Red Square.

This rather large square borders the Kremlin on one side and the main attractions are the most famous icon of Russia, the St. Basil’s Cathedral, Lenin’s mausoleum etc. There is a very large department store (called the GUM) that occupies one side of the Red Square where the erstwhile commercial quarter was located. This store is more than a hundred years old, I understand.

 

On one side of the Red Square is the Kazan Cathedral. After defeating the Polish army in 1612, Prince Dmitry Pozharsky entered the Kremlin through the Red Square and in commemoration of that success, he built this Cathedral and consecrated it in 1625. The original building was of wood and burned down in a fire in 1632 and was rebuilt using brick and consecrated in 1636. It was considered as one of the most important churches in Russia and on the anniversary of liberation of Moscow from the Polish forces, the Tsar and the Patriarch of the Russian Orthodox Church used to lead a procession around the Red Square. As part of removing religion from public life, Stalin ordered the demolition of the church in 1936 and a temporary building to host the offices of the Communist International was constructed on the site. After the fall of USSR, this was the first church to be reconstructed (1990-1993) and has been made to look like the old church.

 

St. Basil’s Cathedral is arguably the most reproduced image from Moscow and is regarded as a cultural symbol of the country. It is now a museum. its original name was The Cathedral of Vasily the Blessed. Ivan the Terrible, the first Tsar of Russia (1547 to 1584), constructed this church to celebrate the capture of two cities – Kazan and Astrakhan. The construction took six years from 1555 to 1561 and it had nine chapels with eight chapels around the central ninth one. A tenth chapel was added later, in 1588, to honour a local saint named Vasily (Basil in English). In the Soviet era, this church was taken over by the state and converted to a museum and all religious activities stopped. After the collapse of USSR, some church services have been resumed since 1997.

This building has a very unique architecture and resembles a fire rising up to the sky. Supposedly, there is no other building with a similar architecture in Russia. I read somewhere that an old mosque in the captured city of Kazan may have been the inspiration for this architecture and to the untrained eye, the building does look more like a mosque than a church, with its massive domes.

 

The interior of the Cathedral is very beautiful and richly decorated with icons, altars and nice paintings.

 

 

The GUM department store is a very impressive looking building and the roads outside were all decorated, possibly in anticipation of the New Year and Christmas (Russian Orthodox Church celebrates Christmas on 7th January).

 

The next day morning, I decided to visit one of the most popular monuments in Russia – Lenin’s Mausoleum. It seems this monument attracts the highest number of visitors in a year. Lenin’s body has been embalmed and displayed here since his death in 1924; except for a brief period during the Second World War when the body was moved to a city in Siberia as it was feared that the Germans might capture Moscow. The mausoleum stands on one side of the Red Square; the square, squat red marble tiled building on the left side of the image below. When I arrived, there was a queue waiting for the museum to be opened; Mercury had fallen below zero and it was extremely cold, with a wicked wind, but people waited patiently.

 

After Stalin died in 1953, his body was also embalmed and displayed right next to Lenin’s. However, Stalin’s body was removed in 1961 as part of the de-Stalinization drive and buried in the Kremlin wall along with other leaders. Photography was not allowed inside the Mausoleum and so I could not take a picture of the body. It looks as if Lenin is sleeping on his back, with a blanket covering the lower half of his body. It looks very life like and you wouldn’t think almost a hundred years have passed since his death.

Two thoughts crossed my mind as I stood there looking at the great leader’s body. This was a man who had changed the world and made a new order of society and politics possible. John Reed, an American Journalist and Communist, was a witness to the October Revolution and he saw the whole event unfold, from close quarters. In about a year from then, he published his book “Ten days that shook the world”, which is an eyewitness account of the revolution. This was an unbiased account as it was published in 1919, before the people that came to power after the revolution had any opportunity to influence what was written. As you go through the book, it becomes very evident that the two people that made the revolution possible were Vladimir Ilyich Lenin and Leon Trotsky. It is also equally evident that Josef Stalin did not have much of a role in the revolution. In the whole book, he is just mentioned in two places and that too as passing references. From the two, the body of one lies preserved in all this grandeur as a sign of respect and gratitude of the state while the other, Leon Trotsky, lies buried in a small grave in a non-descript cottage in Mexico City; after he was murdered by the KGB agents sent by the usurper, Stalin.

 

The second thought was about the seeming absurdity of making a shrine out of a Communist leader’s dead body. In a strange way, I was reminded about the relics and preserved dead bodies of Christian saints. I am sure that the state benefits from the symbolism of Lenin’s dead body but somehow I felt it was not in keeping with what this great leader stood for. After all, he was the proponent of a philosophy which was rooted in logic and not symbolism.

Next stop on the agenda was The Cathedral of Christ the Saviour. This church was built in the nineteenth century and was demolished in 1931 on the orders of Stalin. It was rebuilt between 1995 and 2000, after the fall of the USSR. It is an imposing building and stands right on the banks of the Moscow river. You can walk up to the terrace there are some very beautiful views of the Moscow city from there.

 

The Pushkin State Museum of Fine Arts is just a short walk from the Cathedral. It has the largest collection of European art in Moscow and is a visual treat. There were works by many masters like Van Gogh, Cezanne, Picasso, Monet, Gauguin etc.

Solomon and the Queen of Sheba: Hans Vredeman De Vries

View of the old market in Dresden: Bernardo Bellotto

Bucentaur’s return to the pier by the Palazzo Ducale: Canaletto

View of the Grand Canal in Venice from the Fondamenta Del Vin: Michele Marieschi

The bridge across the Marne at Creteil: Paul Cezanne

Nude woman sitting on a couch: Pierre Auguste Renoir

White water lilies: Claude Monet

Luncheon on the grass: Claude Monet

A mother’s kiss: Eugene Carriere

Girls on the bridge: Edvard Munch

Young acrobat on a ball: Picasso

Spanish woman from Majorca: Picasso

Old jew and a boy: Picasso

Jaguar attacking a horse: Henri Rousseau

The muse inspiring the poet: Henri Rousseau

Mirror above a washstand: Pierre Bonnard

The King’s wife: Paul Gauguin

Her name was Vairaumati: Paul Gauguin

Gathering fruit: Paul Gauguin

What, are you jealous: Paul Gauguin

The ford: Paul Gauguin

Landscape at Auvers after the rain: Van Gogh

The red vineyard at Arles: Van Gogh

The prison courtyard: Van Gogh

 

Bolshoi Theatre is a very well known Russian icon with the Bolshoi Theatre Company having been founded in 1776. The company operates in various cities in Russia and the building in Moscow itself is very well known and is even featured in the Russian One Hundred Ruble note. I was staying very near the Theatre and used the opportunity to watch a short performance. This was on one of the side stages and not the main one and was an orchestra. It lasted for about 40 minutes and was quite enjoyable.

 

The State Tretyakov Gallery has the best collection of Russian fine art and was started by a merchant from Moscow by name of Pavel Mikhailovich Tretyakov in 1856. Having seen some works by Nicholas Roerich in the gallery in Mysore; I was quite keen to visit this collection of Russian art. I found that many of the works from the 19th Century had very relevant and interesting social themes; especially those by an artist named Vasily Grigorevich Perov. Interestingly, the Gallery did not have many works from the Soviet era; not sure why.

 

This painting is titled “The appearance of Christ to the people” by the artist Alexander Ivanov. It is a huge work measuring 5.40m x 7.50m and this was the most important work in the life of Ivanov. It took him twenty years to finish this painting and he died within a few months of finishing the painting. John the Baptist is the central figure in the painting (wearing an animal skin) and points to the Christ who appears in the distance. Ivanov has painted himself into the portrait as the wanderer with a staff, sitting right in front of John the Baptist. The artist made several small works, probably as studies for the painting, and these were also exhibited at the museum.

 

This piece by Konstantin Flavitsky is titled Princess Tarakanova and is based on the story of a young woman named Tarakanova from Italy, who claimed a right to the Russian throne. Catherine II lured her to Russia and imprisoned her in Petropavlovskaya fortress in a cell that was known to flood every time the waters in the nearby river rose. The painting shows a desperate Tarakanova standing up on her cot as the flood waters have reached almost up to the bed. There is no evidence of whether Tarakanova was indeed killed like this but the painting caused a lot of public outcry and Ivanov was later forced to announce that he had made up the subject from a novel.

I liked this painting (The Unequal Marriage by Vasily Pukirev) quite a lot and it seems it was received with a lot of enthusiasm when it was painted as it did not stick to conventional subjects used till then, but instead chose to show a social issue that was common at that time – old, rich men marrying young women who are unwilling, but are forced into the marriage. A young man, supposedly, the girl’s lover, looks on from the back.

 

Painting titled “Easter Procession in a Village” by VG Perov. I quote from the description provided by the museum: “In the early 1860s, Perov created a series of anticlerical paintings. Its main theme was the clergy that forgot their duty. A bored and drunken procession carrying icons and gonfalons is passing by the viewer. The peasants with half-closed eyes are wading towards a precipice as if they were blind. Their leader, a drunken priest, who has crushed an Easter egg underfoot, has abandoned them. Not far from him we see a woman holding an icon whose image is effaced. Farther off there is a poor man carrying an icon upside down. But the All-Seeing eye on the gonfalon is there as a reminder that these people won’t escape the Supreme Judgment. The dull landscape, dissonant movements of the participants in the procession and bleak dawn emphasise the ugliness of the whole scene. The painting was removed from an exhibition of the Society for the Encouragement of Artists in St Petersburg on grounds of it being an “immoral” work. Its reproduction in the press was banned, and P.M. Tretyakov was advised not to show it to visitors.”

 

This painting titled “Troika” by Perov was the one that touched me the most. It was painted in 1865 and in those days, peasants used to migrate to the city in search of work, because of extreme poverty and their children used to work as apprentices. Perov used three such children as his models in this painting. The boy in the middle was living with his mother and he had no father; they were very poor as well. Shortly after modelling for the painting, the boy contracted some disease and died. The mother was distraught and heart broken and she sold all her belongings and took the meagre amount she had to Perov and asked for him to sell the painting to her as she wanted to be able to see her boy whenever she wanted. By that time, Perov had finished the painting and it was displayed at the The Tretyakov Gallery. Perov took the mother to the gallery and showed her painting.

Funeral Procession: VG Perov

 

Yet another work by Perov that speaks about the social issues of the time: “Tea-party at Mytishchi near Moscow”. I quote from the description provided by the museum: “Ordinary on the face of it, the scene of tea drinking under the shade of a tree is transformed by Perov into an accusatory picture that deals with an acute social issue. The table turned cornerwise to the viewer with a samovar on it halves the small canvas, which is almost square-sized. The world of the painting’s characters also breaks into two parts: on one side, we see a fat, well-fed priest, on the other side – a poor old man and a boy. The impression of social drama is reinforced by the Order of the Hero of the Crimean War on the old man’s chest. At the same time, the idyllic background landscape and the circular rhythm of the painting’s composition embody the idea that justice and harmony lost should be restored in the world.”

 

This painting is titled “Landscape Steppe” and is by an artist named Arkhip Kuindzhi. This work was so very different from the other paintings and I was curious to note that it was painted between 1890 and 1895. I am not sure whether there were many paintings in this style at that time. I was reminded of a photo by Andreas Gursky, which is among the most expensive photos ever sold, having fetched a sum of $4.3 Million in 2011.

 

This work titled “There is Life Everywhere” by Nikolai Yaroshenko was yet another image that I liked a lot. I quote from the description provided by the museum: “ The topic of social contradictions was one of the most important for Yaroshenko. This painting was inspired by Leo Tolstoy’s story What Men Live By. The artist originally planned to title his work as Where There Is Love, There Is God. Prisoners have huddled up together at the window of a convict car to feed pigeons. The painting’s idea was to show humanity maintained in inhuman conditions. The central group reminds the Holy Family. Like many other Wanderers, Yaroshenko used parallels with the Gospel to enhance the social resonance of his canvas. “This speaks so much to the heart,” said Leo Tolstoy about this painting.”

 

This painting “Christ in the Wilderness” by Ivan Kramskoi immediately catches the eye because of the very desolate nature. I quote from the description provided by the museum: “The artist looks upon the Sacred history in the context of the issues of his day. Gospel themes and images served at the time as a way to express ideas of what was good and just. Christ’s personality was understood as the “perfect human being” embodiment; the life journey of a progressive person was a reflection of His earthly path. Kramskoi wrote: “…There is a moment in the life of every human being, who is created in the image of God however slightly or greatly, when they are in a quandary – whether to take the ruble and deny the Lord or not to yield a single step to the evil.” The painting took on a topical nature thanks to the resemblance of Christ’s pose on Kramskoi’s canvas to the pose of Fyodor Dostoevsky in the famous portrait by V.G. Perov. Both paintings were made in 1872 and both were shown at the very same travelling exhibition. Eternal, panhuman problems are the central theme of the painting.”

 

This is a huge work titled “The Princess of a Dream” by an artist named Mikhail Vrubel. It measures 7.5m x 14m and was painted in 1896 with the help of two others. It speaks about a love affair between Geoffroy Rudel and Princess Melisandre. Supposedly, Rudel heard about the beauty of the Princess and travelled across the sea to meet her. Unfortunately, he contracted some illness during his voyage and died at the time of their first meeting and with this, the Princess became a nun. I am not sure whether this is fiction or true story. I was not very exposed to Russian art in the past and Tretyakov definitely set that right. It was quite a beautiful experience.

Moscow has very wide roads and walking around the city itself is a pleasure. I was staying close to the Red Square and many buildings around that area were very impressive. There is some more to see in Moscow and two days were not enough. I hope to be back one day.

 

Montmartre has always had a romantic kind of appeal given its association with famous artists such as Van Gogh, Picasso etc. and because of its association with events like Paris Commune. I had not been able to visit Montmartre during any of my previous visits to Paris and this time, when the opportunity presented itself, I grabbed it and set off with my camera. The first sight that greets one as we get out of the metro is the famous Moulin Rouge. This iconic nightclub, which has even made it into celluloid, has been around for more than a hundred years and is often a prime destination for the partying crowd.

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A short walk takes one to the Montmartre Cemetery. As odd as it may sound, I find it kind of peaceful to visit cemeteries, especially the old ones. One gets a strange feeling when looking at the resting places of the famous and the powerful, the dead. As Spring had not yet started in Paris, there were no leaves on the trees and that added to the ambience with the shadows and bare lines.

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Montmartre Cemetery is quite large and was started in 1825 when Paris started running out of space to bury their dead. The government banned burying of corpses within the city limits and Montmartre, which was outside the city limits and also had abandoned quarries, proved to be the right setting for a cemetery. It has now become a place to visit in the map of Montmartre because of the numerous celebrities buried there like Emile Zola, Alexandre Dumas, Edgar Degas, Adolphe Sax etc. There was a detailed map available in the cemetery which showed the tombs of the famous people buried there but it was a bit confusing and I could not locate Degas.

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The next stop on my agenda was the Dali Museum though I was not very sure of how it might turn out to be as I suspected that there was an overtly commercial angle to it. The day was quite sunny and Montmartre presented interesting sights as one passed by.

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Vincent Van Gogh lived in this house in Rue Lepic with his brother Theo from 1886 to 1888. Theo owned this house and continued living here even after Vincent moved on.

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Montmartre once had thirty two functional windmills, of which only two have survived. These can be found at “Moulin de la Galette” and this was a popular subject for many artists like Van Gogh, Renoir, Corot etc.

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The Dali Museum, though small, turned out to be quite a treasure trove. There were many sketches done by Dali, sculptures etc. “The Persistence of Memory” inspired sculptures were quite fantastic. Dali had done many sketches based on Alice in Wonderland and also a famous comic strip.

This work “Retrospective Bust of a Woman” was presented in Paris in 1933 with an actual baguette (which was then eaten by Picasso’s dog!) and it evoked mixed reactions as such objects as bread and corn had never appeared in art works before. Ants are an oft-used motif in Dali’s work, signifying decay.

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The Space Elephant is a sculpture motivated by Dali’s work “The Temptation of Saint Anthony” and the “Cosmic Rhinocerous” represents Dali’s fascination with objects that have a hard exterior and a soft interior.

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Alice in Wonderland was another favourite subject for Dali and here are a series of sketches that he did based on Lewis Carrolls’ book. In the sculpture, Alice is shown as a young woman, which kind of contrasts with the innocence that Carroll accorded to Alice, in his story.

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There were many works based on The Persistence of Memory and I liked these the best.

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Next was a work that showed Dali’s interest in Anamorphosis. On one hand, it is the painting of an insect done in great detail but the work becomes complete when one looks at the cylindrical mirror where one can see the self-portrait of Dali, shown as a clown.

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These are some sketches that Dali made for a Parisian publisher in 1971 based on some old engravings. These have been modified into Dali’s own style with grotesque figures.

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This is a work in a classic style but replete with Dalinian symbols like a watch, an egg, two ants and the divided torso.

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In 1942, Dali produced a backdrop “The Ship Aground” which was inspired by Shakespear’s Romeo and Juliet and its tory of impossible love. Dali tries to show a world torn between love and hate in the colours blue and red, emphasising the duality of passion.

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Roman poet Ovid, wrote a series of three books titled “The Art of Love” in the year 2 CE. This was supposed to be a series of instructions to men on how to attract women. Supposedly, this work so enraged Emperor Augustus that he exiled Ovid (censorship and moral policing seems to have been active even then). In any case, the work excited Dali and he produced these etchings based on it.

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“Woman Aflame” is famous work by Dali and I quote this interpretation from what was pasted alongside the work: “This work combines two of Dali’s obsessions: fire and a feminine figure with drawers. The flames coming from her back represent the hidden intensity of subconscious desire, while the drawers express the mystery of hidden secrets. Open drawers point to the private, subconscious of the human being. The flames are supported by crutches “generally used to support fragile soft structures” according to Dali. This faceless woman devoured by flames is the symbol of the mystery of femininity.”

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Next on my list was a visit to the Sacré-Coeur Basilica in the heart of Montmartre. Construction of this church started in 1875 (soon after the Paris Commune was crushed) and finished in 1914. It was consecrated in 1919 after the First World War finished. To many of the free spirited inhabitants of Montmartre, this church represented the last nail in the coffin of their freedom and they viewed this as an imposition of the will of the state.

En route to the church, I passed through the famous Place du Tertre, which was a haunt of artists in the heydays of Montmartre. Even today, one can see some artists with their tripods and easels offering to make portraits of tourists and selling their work.

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Maybe because I had an impression of Sacré-Coeur as a symbol of oppression, the first image I captured of the church was this – more like a picture from the sets of a horror film!

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The Basilica is quite impressive and it also offered some interesting views of Paris as it stands on a hilltop. Photography was not allowed inside the church and so I couldn’t capture any images there. It looked pretty much like other European Catholic churches with plush interiors. Entrance to the bell tower was closed and that was a pity as that would have offered some more interesting views of Paris.

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After you get down from hill, a few minutes’ walk takes you to the “I Love You” wall. This is set up in a small garden and has an area of about 430 sq. ft. The phrase “I Love You” is written all over the wall in about 250 languages. I could spot Malayalam, Tamil, Kannada, Hindi etc. on the wall. This seemed to be a must visit spot for the romantically inclined as I could find many people expressing their love in front of the wall.

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When you wander through Montmartre, you see plenty of buildings that were associated with artists – like this one which claims to have been frequented by Van Gogh, Picasso, Monet etc.

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One of the quaint little delights in Montmartre is the Le Clos Montmartre a tiny vineyard bang in the centre of town spread across an area of about 16,000 sq. ft. The produce from this vine yard (about 1000 bottles of wine) is auctioned off during the annual harvest festival and the proceeds used for development projects in the area. Supposedly, this vineyard was started in 1933 to stop real estate developers from grabbing the space – I wish we had similar projects in Bangalore.

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Just across the street from the vineyard is the oldest cabaret in Montmartre – “Au Lapin Agile”. It was started in 1860 under the name “Au rendez-vous des voleurs”. In 1875, artist Andre Gill painted the image of a rabbit jumping out of a saucepan and people started calling the place “Le Lapin à Gill”, meaning “Gill’s rabbit”, which later on evolved to the present name. This was also a popular haunt for artists, anarchists, students, writers etc. Picasso even made a painting titled “Au Lapin Agile”.

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My last visit was Musee de Montmartre, which was the oldest house in Montmartre, having been constructed in the middle of the 17th century. Many artists lived here, including Suzanne Valadon and Renoir had painted in the gardens of the house. There were many works of art in the museum with many works from Valadon.

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Montmartre still retains a bit of its former anarchist spirit with graffiti to be seen in many areas.

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Although I had spent a good many hours around Montmartre, I hadn’t covered all the sights. However, I could sense the spirit of Montmartre, that still lingers there – a heady mixture of art and anarchy. One could only wonder how it would have been in the twentieth century when Montmartre had its day in the sun. Just roaming around the place was great fun and I am sure I will be back here one day. For now, dusk had sent into Montmartre.

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“Arbeit macht frei” is a German expression which means “Work brings freedom”. This phrase originated from the title of a novel written by Loernz Diefenbach in 1873 and in the novel, the protagonist is a fraudster and gambler who finds the path of righteousness through proper employment. An expression which can be deemed to be mildly motivating – except when you see it written over the gate of the Auschwitz concentration camp when you walk in.

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It chilled me to the bone when I read it; what struck me was not the absurdity or even the cruelty in having such a slogan at the entrance to a concentration camp where innocent people where brought in just because fate played a cruel trick on them, in the accident of birth called religion. It was a kind of prescient moment for me, it made me understand how extreme cruelty can be inflicted on fellow human beings by people deemed normal. Work! Work on improving production; work on arriving at a “Final Solution” to the “Jewish Problem”. It was just work – how to kill efficiently; how many deaths per day will help achieve the target of extermination of a race by a certain date; what can be done to ensure that a race does not survive by ensuring that its women are sterile; how much can medical science advance if it had access to enough humans whose life did not matter and hence any type of experiment could be conducted on them – it was just work. The trick was to change the complexion of the terrible acts from what it really was to “work” and the Nazis knew this and that is why they posted “Arbeit macht frei” at the entrance to all their concentration camps. And it worked; for as George Steiner said: “We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz in the morning”.

Auschwitz, where approximately 1.3 million people were killed in about 3 years – that is an average of little over a thousand a day; Auschwitz, the most infamous of the Nazi concentration turned extermination camps; Auschwitz, where Anne Frank was an inmate (though she did not die there); Auschwitz, which Viktor Frankl and Ellie Wiesel survived and wrote about; Auschwitz, a timeless reminder of the depths to which man can fall!

Auschwitz (situated near the Polish town of Oswiecim) was started as a concentration camp in 1940 and it was converted to an extermination camp in 1941. The first gas chamber was constructed here in 1941 and after the Nazis became convinced that gas chambers using the poison Zyklon B were an efficient method for mass killing, the camp was extended to include Birkenau which had four gas chambers. Over 1.3 million people are estimated to have been killed at Auschwitz-Birkenau with about 90% of them being Jews. The whole area was about 40 square kilometres with a plant for producing synthetic rubber also included in this space. Most of the tour is in the Auschwitz I camp as that is what has survived, including the gas chamber. In Birkenau (Auschwitz II) there are only a few barracks left and the gas chambers were demolished by the Nazis towards the end of the war in a desperate attempt to destroy the evidence of their heinous crimes.

We visited Auschwitz on a cold, bleak day and perhaps that was fitting to the mood of what we were about to see. The guide led us through the gates of Auschwitz and we could see a row of neatly arranged brick buildings, which looked quite peaceful and even serene. These were the barracks that prisoners were housed in.

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The visit started with a building that had a gruesome exhibit – an urn containing human ashes found in the camp.

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There were many photographs also exhibited in that building.

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The photographs were taken by the Nazis to help with documentation and were mostly about prisoners arriving at Birkenau, awaiting selection etc. A passage from Dr. Frankl’s book “Man’s Search for Meaning” came to my mind about how he himself stood in such a line upon arrival at Auschwitz. The prisoners were asked to go to the right or left. Although they did not know it at that time, those sent to the left ended up in a gas chamber within a couple of hours and seventy five percent of the prisoners that arrived were sent straight to the gas chambers. The Nazis wanted all those that could not work to be killed immediately, without having the need to “waste” resources on them. Don’t be appalled, just think of it as a demonstration of efficiency!

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This image really broke my heart. If you take it out of the context, this might look like children walking in a village or out on a picnic; but this a photo of kids walking to their death. Young and innocent and yet…

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Some prisoners were chosen to help with disposing the dead bodies and they were called the “Sonderkommando”. Of course, those chosen had no option but to be part of this group and some of them tried to take photographs clandestinely to show the world the reality of Auschwitz. Such an image is shown below, of mass burning of dead bodies.

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The poison gas, Zyklon B, used in the gas chambers came in these canisters. Zyklon was used as a chemical weapon by Germany in World War I and was banned later. A chemist named Bruno Tesch and others made some modifications to use this as an effective killing agent this was named as. Zyklon B. Tesch was executed in 1946 for his role in this war crime as he knew that Zyklon B was being used to kill people.

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Prisoners were brought into the camps in railroad wagons with 80 to 100 prisoners crammed into each wagon. Mostly, they had to leave their homes with very short notice and had just a few pitiful belongings with them. Even these were taken from them when they arrived at the camp and today we can see these heaped up, as exhibits.

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Some of the stuff was used for war efforts. For instance, prisoners were shaved before they entered the gas chamber and the hair was used to make vests for soldiers. Gold teeth were pulled out and the gold reused. Of course, what use do dead men have for gold!

Initially, the Nazis used to photograph each prisoner and keep records but they stopped this when the volumes increased as Hitler moved toward the Final Solution of killing all Jews in Europe. This meant that a huge portion of the people that were killed in Auschwitz were never recorded as having arrived there as they went straight to the gas chambers. Later on, the Nazis claimed that they had no idea about these “missing Jews”, in an effort to escape punishment for this criminal act.

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Facilities for the prisoners

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The sadistic and ruthless criminals from among the prisoners were chosen to be guards called “Capos” and the Capos enjoyed some special privileges including better accommodation.

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This is Block 10 where experiments were conducted on women to see how quickly sterilization could be done. The Nazis planned to rid Europe of Slavs after the Jews were exterminated as the pure Aryan race could then thrive and have enough space for itself. The Slav population at the time was estimated to be 100 million people and they realized that killing so many people was no easy task and so they needed a multi-pronged approach. One of the ideas was to sterilize women so that there would be no progeny. Here also, volumes posed a challenge and in Block 10, they conducted experiments on the inmates to develop efficient means for sterilization. Doctors who had taken the Hippocratic Oath were the ones conducting such experiments! Such is the power of hate peddling, the power of creating an “other” – the others are not humans anymore and thus do not deserve to be treated as such and of course, the others are at fault.

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Every day, the prisoners had to assemble in a particular area where their count was taken. If there was anyone missing, the count was taken again and again till the authorities were satisfied and the prisoners had to wait in the open till then. The guide told us that this exercise went on for 9 to 10 hours at times. Many prisoners did not even have shoes and their clothing was totally and completely inadequate to meet the winter conditions when the mercury dropped well below zero. As I stood there on that slightly cold day, I couldn’t even imagine standing barefooted in the mud in those pitiful robes at minus twenty degree Celsius for hours on end. Those are hardships that can’t even be imagined.

If a prisoner was missing, his or her cell mates were taken to task, tortured or killed. The idea was to make everyone suffer if one escaped. This was a cunning method to ensure that the prisoners themselves would try to stop anyone from even thinking of escape. In such conditions as in Auschwitz, the veneer of civilization drops and man starts to focus only on the primordial instinct of survival. Dr. Frankl has mentioned about how the all pervasive thought that was foremost in every prisoner’s mind, was about food as they never had enough to eat. They were fed a coffee kind of liquid in the morning, a limited quantity of very thin soup in the afternoon and some black bread in the evening. With this diet, they were expected to do heavy labour such as creating roads, buildings etc.

Our guide mentioned that the average life expectancy of a prisoner in Auschwitz was three months! In his book “Night” Elie Wiesel speaks about how a fellow inmate advised him to forget about looking after his father and try to focus on his own survival – caring for the father being a burden in that case. Such indignity can’t even be imagined by people like us and thus the horrors of Auschwitz can never be fully understood by those that weren’t there.

Facing the square for assembly are the gallows where prisoners found guilty of serious offences were hanged.

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There were tall barbed wire fences and guard posts everywhere. Anyone approaching within a certain distance of the fence was summarily shot. Yet, some prisoners did manage to escape, such is the indomitable nature of the human spirit.

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Right next to the gas chamber is another gallows. This was where Rudolf Hoss, the longest serving Commandant of Auschwitz was hanged in 1946. He was the one who perfected the use of Zyklon B and proudly spoke about how they were able to kill 2,000 people in one hour. He repented before his death and in a farewell letter to his son he wrote: “Learn to think and judge for yourself, responsibly. Don’t accept everything without criticism and as absolutely true… The biggest mistake of my life was that I believed everything faithfully which came from the top, and I didn’t dare to have the least bit of doubt about the truth of that which was presented to me. … In all your undertakings, don’t just let your mind speak, but listen above all to the voice in your heart.” Sage advice and valid even today, maybe more so today!

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Prisoners were led to the gas chambers straight from the train. They were told they were being taken for delousing and disinfecting and since this was standard practice in camps, nobody suspected anything else and they went along peacefully. I read somewhere that an SS guard had mentioned that it was easier and faster to get people to obey if you asked them politely instead of shouting at them. Once inside the gas chamber, the prisoners all stripped down and the chamber even had fake showers. The reality sunk in only when the gas started coming out of the faucets but then, it was too late.

Entry to the gas chamber

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Plan of the chamber

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Probably, this is what many a prisoner saw as the last sight of outside world before being sealed in the chamber

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Inside the chamber

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Furnaces for burning bodies

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Birkenau is slightly far from Auschwitz and we had to catch a bus to get there. The entrance to Birkenau has a familiar look from the scenes in “Schindler’s List”.

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Prisoners were brought from various parts of Europe in wagons such as these and each wagon was filled with 80-100 prisoners.

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There were four gas chambers in Birkenau and most of the people were killed here as Auschwitz I had only one gas chamber. However, there are only a few barracks to be seen here today as the Nazis tried to destroy the evidence of mass killing and dynamited all the gas chambers. The fields look very green now but the guide said that when the camp was functional, there was not a single blade of grass as the camp was overcrowded and there were people everywhere.

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Ruins of the gas chambers

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Ash from burning bodies were dumped into ponds like these

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In 1967, a monument was erected in Birkenau to serve as a reminder and warning to mankind about the horrors of Auschwitz.

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The terrible despair and sense of dejection that one feels at Auschwitz is far beyond description; my writing skills are totally inadequate to the task and I have not been able to capture even a small percentage of that horror. As one wanders through the camp the question that keeps coming up is “How”. How could a people have been so cruel? How could a people have supported such an atrocity? How could normal, respectable individuals support such inhuman crimes? How could a whole nation be brainwashed to support the bigotry of a few? I think these are very important questions and these questions need to be reflected upon by peoples of various countries even now.

This is what we have to be aware of when we see people’s minds being filled with hate for the “other” (as in India, for instance). This is what authoritarian, oppressive regimes will do and we have enough examples from the past – Hitler, Mussolini, Stalin, Pol Pot etc. This is what we have to guard against when we see signs of such regimes, be it in any part of the world. During the tour, our guide said: “We preserve this as a museum because the world should know that this happened and this can happen in any country, at any time”.

This is why history is important. It teaches us to be on our guard and recognize the signs of Fascism and oppression. This is why George Santayana’s quote is displayed at the entrance to the first barrack in Auschwitz: “Those who do not remember the past are condemned to repeat it”.

This is why Auschwitz should not be forgotten…